Discovering the possibilities of paper lithography

There is always something exciting and energising about discovering a fresh method of working which opens new possibilities. I recently spent a weekend with Dr Ralph Overill (find Ralph on Instagram as @between_the_images), an enthusiastic and generous tutor who introduced his students to the magic of paper lithography. The process, as with traditional stone lithography, relies on the immiscibility of oil and water.

As the plate is a sheet of paper, the process feels very immediate and freeing, which is unusual in printmaking. I could see possibilities opening up and I think this process will have a place in my practice. The method of printing requires little in the way of materials, does not require much printing ink and even the clearing up is relatively quick.

I have much more playing and experimenting to do, but already have projects in mind – I can’t wait to spend time in the studio!

Paper lithography printed on walnut dyed paper, 2024

Paper lithography on proofing paper, 2024

Come back soon and see more of the work that has developed as I explore this ‘new to me’ way of working.

A version of this post was first published on the website TheFiveArtists.com in April 2024.

Consuelo Simpson is an artist and maker living and working in Hampshire. Her multidisciplinary practice is focused on seeking moments of enchantment and on reaching an accommodation with the world.

She remains obsessed with string!